Discussion of ELIZA, computers and people, and how tech mitigates our relationships to ourselves and one another.
Discussion of ELIZA, computers and people, and how tech mitigates our relationships to ourselves and one another.
A deep dive and new reporting angle on reading programs in public schools from WIRED. Also related.
The art of complaint.
Has the creator window closed? A look at Ravelry.
Octavia Butler, “Devil Girl From Mars”: Why I Write Science Fiction (1998)
First-person account of how one scientist uses AI in a research and academic setting.
MIT on AI and productivity and how it shows up in workstreams today.
New knitting stitch dropped — no pun intended.
Steve Albini on the problem with music, originally printed in 1993 in The Baffler, republished in 2007. It reads from a particular time and place in the music industry.
This one has been in the pile all summer, and I’m glad I set this one aside for now. Lemieux’s personal story is so smart and relatable, she shares without shame, and her voice is light and clear despite navigating often-heavy subject matter.
In particular, I want to tag the last section of the book where Lemieux invited other single mothers to write from their perspectives, centering their voices in their own words, including stories from notable names like Tarana Burke. Timely and well executed.
Finished reading: Black. Single. Mother. by Jamilah Lemieux 📚
Stanford Daily on the drop in Humanities grads, exploring some of the proposed reasons for the drop.
Some blog notes:
A detail I find interesting about the education landscape are how many K-12 teachers end up in higher ed, as both professors and administrators. In my experience there are also a glut of former journalists in higher ed communications, though I’m struggling to find good stats.
Matt and Brad on the economics of Vox.
I’m not a terribly crunchy person, but an Aquarius, Leo, Libra, Taurus combo is unbeatable. It’s just praxis.
Currently reading: Black. Single. Mother. by Jamilah Lemieux 📚 Finally tucking into this one, another deft writer with a deceptively light touch.
Reading about critical code studies and AI rhetoric.
🎵 : Pere Ubu - Humor Me
🎵 : Party Dozen - Wake in Might
I happened to catch an up-and-coming band called Yolk at a local festival, and it took me down some regional music rabbit holes. I suspect the local music scene has some juice.
I’m old, but I’ve heard enough about basement shows to know Madison has a growing, thriving live music scene outside the usual venues. The kids are stressed and pressed, and it seems like they’d rather be pressed against each other than locked online with us. Can’t blame them. Yolk hangs with Milwaukee band Social Cig, who have been touring the region and have all the ingredients to go large.
The shared energy across these scenes is generative. Weird and lovely industrial, metal and punk bands are everywhere in the Midwest. The warehouse scene in my neighborhood turned out several excellent groups, from Crazy Doberman to Data Unknown, and brought real punk and avant-garde acts through an otherwise sleepy community. I’ve been thinking about them since I discovered Party Dozen earlier this year, who come out of Australia’s warehouse scene.
I mentioned in a previous post that I grew up in (greater-, greater-) Chicagoland, on the Jorjiana side of the ombré. In my day, house shows brought Freddie Gibbs and Daniel Knox through.
In other news: I heard there was a mosh pit at the local high school Homecoming, so I asked the kids what they mosh to today. Turns out, they love Foenem’s hits celebrating the Milwaukee Central Library and the Milwaukee County Zoo. Talk about zeitgeist. I’ve been watching this scene since 414BigFrank went viral last year.